ULTIMO MOMENTO 442 La impresionante fiesta del Boca Juniors Campeón en La Bombonera. En una Bombonera solo iluminada por celulares y flashes, el plantel dio la. Last Tango in Paris - Wikipedia. Last Tango in Paris (Italian: Ultimo tango a Parigi) is a 1. Franco- Italian eroticdrama film directed by Bernardo Bertolucci which portrays a recently widowed American who begins an anonymous sexual relationship with a young Parisian woman. It stars Marlon Brando, Maria Schneider, and Jean- Pierre L. Un film di German Kral con Johana Copes, Juan Carlos Copes, Alejandra Gutty, Juan Malizia. Storia d'amore sincopata e ancorata a un Paese, l'opera di Kral è metafora. Es muy difícil saber qué beso será el último que demos". Directed by German Kral. With María Nieves Rego, Juan Carlos Copes, Melina Brutman, Johana Copes. The life and love story of Argentina's famous tango dancers Maria. Quando si parla di Ultimo tango a Parigi, un film del 1972, ancora oggi spesso si sentiranno commenti del tipo "è spinto gratuitamente" oppure "non ha nessun senso. Executive produced by Wim Wenders, Our Last Tango tells the life and love story of Argentina's most famous tango dancers Maria Nieves Rego and Juan Carlos Copes, who. El tango es un género musical y una danza, característica de la región del Río de la Plata y su zona de influencia, principalmente de las ciudades de Buenos Aires. Un Ultimo Tango En AtenasUpon release in the United States, the most graphic scene was cut and the MPAA gave the film an X rating. After revisions were made to the MPAA ratings code, in 1. NC- 1. 7 for . Metro- Goldwyn- Mayer released a censored R- rated cut in 1. Paul (Marlon Brando), a middle- aged American hotel owner mourning his wife's suicide, meets a young, engaged Parisian woman named Jeanne (Maria Schneider) at an apartment that both are interested in renting. Paul takes the apartment after they begin an anonymous sexual relationship there. He insists that neither of them must share any personal information, even given names. The affair continues until one day, Jeanne arrives at the apartment and finds that Paul has packed up and left without warning. Paul later meets Jeanne on the street and says he wants to renew the relationship. He tells her of the recent tragedy of his wife. As he tells his life story, they walk into a tango bar, where he continues telling her about himself. The loss of anonymity disillusions Jeanne about their relationship. She tells Paul she does not want to see him again. Paul, not wanting to let Jeanne go, chases her back to her apartment, where he tells her he loves her and wants to know her name. Jeanne takes a gun from a drawer. Un Ultimo Tango German KralProbablemente, ninguna otra película ha causado mayor impacto cultural que El último tango en París, por ejemplo, en España, donde miles de españoles. She tells Paul her name and shoots him. Paul staggers out onto the balcony, mortally wounded, and collapses. As Paul dies, a dazed Jeanne mutters to herself that he was just a stranger who tried to rape her and she did not know who he was, as if in a rehearsal, preparing herself for questioning by the police. Marlon Brando as Paul, an American expatriate and hotel owner. Maria Schneider as Jeanne, a young Parisian woman. Jean- Pierre L. It was later adapted as a novel by Robert Alley. The film was directed by Bertolucci with cinematography by Vittorio Storaro. Bertolucci originally intended to cast Dominique Sanda, who developed the idea with him, and Jean- Louis Trintignant. Trintignant refused and, when Brando accepted, Sanda was pregnant and decided not to do the film. In a 2. 00. 6 interview, Schneider said that the scene was not in the script and that . I threw everything. And nobody can force someone to do something not in the script. But I didn't know that. I was too young. I should have called my agent or had my lawyer come to the set because you can't force someone to do something that isn't in the script, but at the time, I didn't know that. Marlon said to me: 'Maria, don't worry, it's just a movie', but during the scene, even though what Marlon was doing wasn't real, I was crying real tears. I felt humiliated and to be honest, I felt a little raped, both by Marlon and by Bertolucci. After the scene, Marlon didn't console me or apologise. Thankfully, there was just one take. She also claimed that Brando and Bertolucci . In February 2. 01. Bertolucci spoke about the film's effect on Schneider on the Dutch television show College Tour. In the interview Bertolucci clarified that although the rape scene was in the script, the detail of using butter as a lubricant was improvised the day of shooting and Schneider did not know about the use of the butter beforehand. Bertolucci said that . Bertolucci said that he and Brando . An Italian court revoked Bertolucci's civil rights for five years and gave him a four- month suspended prison sentence.! Movies writer Tom Butler wrote an article about it. To show him naked would have been like showing me naked. And he was Marlon Brando! Brando refused to speak to Bertolucci for 1. I was thinking that it was like a dialogue where he was really answering my questions in a way. When at the end of the movie, when he saw it, I discovered that he realized what we were doing, that he was delivering so much of his own experience. And he was very upset with me, and I told him, . Older than me. Didn't you realize what you were doing? First of all, he answered the phone, and he was talking to me like we had seen each other a day earlier. I was so emotional. Francis Bacon influence. The hues used in the film were inspired by the paintings of Bacon. During pre- production, Bertolucci frequently visited an exhibit of Bacon's paintings at the Grand Palais in Paris; he said that the light and colour in Bacon's paintings reminded him of Paris in the winter, whenthe lights of the stores are on, and there is a very beautiful contrast between the leaden gray of the wintry sky and the warmth of the show windows.. Bacon's painting style often depicted human skin like raw meat and the painter's inspiration included meat hanging in a butcher shops window and human skin diseases. Cinematographer Vittorio Storaro had previously worked with Bertolucci on The Conformist and often used an azure hue in the film. Storaro later told a reporter thatafter The Conformist I had a moment of crisis; I was asking myself: what can come after azure?. I did not have the slightest idea that an orange film could be born. We needed another kind of emotion.. It was the case of Last Tango. For Last Tango in Paris, Bertolucci and Storaro took inspiration from Bacon's paintings by using . I wanted Paul to be like the figures that obsessively return in Bacon: faces eaten by something coming from the inside. Instead he wrote his lines on cue cards and posted them around the set, leaving Bertolucci with the problem of keeping them out of the picture frame. During his long monologue over the body of his wife, for example, Brando's dramatic lifting of his eyes upward is not spontaneous dramatic acting but a search for his next cue card. Suspenseful jazz, melancholy orchestration, and actual tangos fit the film's air of erotic longing, melancholy despair, and doomed fate. Schneider provided frank interviews in the wake of Tango's controversy, claiming she had slept with fifty men and seventy women, that she was . She also said of Bertolucci, . Everybody was digging what he was doing, and we were all very close. Last Tango in Paris has the same kind of hypnotic excitement as the Sacre, the same primitive force, and the same thrusting, jabbing eroticism. The movie breakthrough has finally come. The media frenzy surrounding the film generated intense popular interest as well as moral condemnation, and the film was featured in cover stories in both Time. Playboy published a photo spread of Brando and Schneider . There is more to come. Buckley and ABC's Harry Reasoner denounced the film as . Later, a bomb threat temporarily halted the showing. Vincent Canby of The New York Times described the film's sexual content as the artistic expression of the . This is a movie people will be arguing about for as long as there are movies. Kael's review of Last Tango in Paris is regarded as the most influential piece of her career. Mary Whitehouse, a Christian morality campaigner, expressed outrage that the film had been certified . It received a VHS release by Warner Home Video with the same classification on 1 January 1. Following first degree and appeal trials, the fate of the film was sealed on 2. January 1. 97. 6 by the Italian Supreme Court, which sentenced all copies to be destroyed (though some were preserved by the National Film Library). Bertolucci was served with a four- month suspended sentence in prison and had his civil rights revoked for five years, depriving him of voting rights. Retrieved 3. 0 January 2. Retrieved 5 January 2. Life: The Observer Magazine, 1. March 2. 00. 0.^Comenas, Gary (2. Warhol. Stars. org. Retrieved December 2. The Sydney Morning Herald. June 2. 00. 6. Retrieved 4 December 2. London: Daily Mail. Retrieved 2. 1 April 2. College Tour. 5 February 2. Retrieved 3 December 2. ANSA (in Italian). September 2. 01. 3. Retrieved 4 December 2. Retrieved August 2. November 2. 01. 6 – via You. Tube. The Washington Post. Retrieved 5 December 2. El Mundo de Alycia (in Spanish). November 2. 01. 6. Retrieved 5 December 2. Yahoo Movies. Retrieved 4 December 2. Retrieved 3 December 2. Retrieved 5 December 2. Last Tango in Paris – Review at All. Music^Edwards, D., Eyries, P., Watts, R., Neely, T. The New York Times, 1. December 1. 97. 2. Giniger, Henry. The New York Times, 1. April 1. 97. 3, pg. Klemesrud, Judy. The New York Times. February 1. 97. 3, pg. Last Tango in Paris Cover Story^. The New York Times, 2. April 1. 97. 3. 9. Johnston, Laurie. New York Post. 2. July 2. 00. 7. Archived from the original on 1. December 2. 00. 7. The New York Times. Retrieved 7 May 2. Roger Ebert website^Roger Ebert (1. August 2. 00. 4). Rotten Tomatoes. Retrieved 1. January 2. 01. 2. Case Study: Last Tango in Paris, Students' British Board of Film Classification page^. The New York Times. December 2. 00. 2. January 2. 01. 1. Australian Classification Board. Retrieved 1. 6 February 2. The New York Times, 2 February 1. Scc. lexum. org. Retrieved 2. October 2. 01. 2. Beverly Hills: oscars. Academy of Motion Picture Arts and Sciences. Retrieved 2. 7 August 2. Bibliography. Bernardo Bertolucci's Last Tango in Paris, the screenplay. New York: Delacorte Press. Tonetti, Claretta Micheletti (1. Bernardo Bertolucci, The Cinema of Ambiguity. New York: Twayne Publishers. ISBN 0- 8. 05. 7- 9.
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